Marc Hulson
Ausbildung
1989-91 M.A. Fine Art: Goldsmiths College, University of London.
1984-87 B.A.(Hons) Fine Art (Painting): North Staffordshire Polytechnic
contact: 22 Custance House, Provost Estate, London N1 7QU +44 (0)20 7608 0331 marchulson@hotmail.com
Einzelausstellungen
2001 don'tmiss, Frankfurt
2000 Danielle Arnaud, London (with Esther Planas)
1999 Five Years, London
1997 accident, London
Gruppenaustellungen
2004 'Vinyl 2', Redux, London
2004 ‘Black’, Galerie Nikki Diana Marquardt, Paris
2004 ‘Pub Crawl', 39, London
2004‘Sunrise / Sunset’, Smack Mellon Gallery, New York
2004 ‘I can c my way home’, Spacex Gallery, Exeter
2003 ‘Tender Prey’, Arti et Amicitiae, Amsterdam.
2003 ‘Spacemen’, M.O.T. Gallery, London
2003 ‘Science Fiction Double Feature’, UCE, Birmingham
2002 ‘Silence and Darkness', Outline, Amsterdam
2002 ‘Fata Morgana', Five Years, London
2001 ‘Fata Morgana', E.S.A.P., Perpignan
2001‘America’, Gallery Westland Place, London
2001 ‘Skank’, Plus Ultra Gallery, New York
2001 ‘Big Blue’ (at Century City), Tate Modern, London
2000 ‘The Redroom’, Five Years, London
2000‘There is plenty of sunshine in summer’, Outline, Amsterdam
2000 'Dark Pop', Five Years, London
1999 'Interior/Interior', Danielle Arnaud, London
1998 'Silent Movies', Five Years, London
1998 'Playing And Reality', Salon II, London
1998 'What Is A Photograph?', Five Years, London
1998 'United in Death', Cambridge Darkroom Gallery
1997 'Big Blue', Coins, London
1997 'accident', accident, London
1995 'Infanta', The View, Liverpool
1994 'Miniatures', The Agency, London
1993 The Infanta of Castile, London
1993 Raum fur Neue Kunst, Zurich
1992 'Brit Art', Kunsthaus, Glarus
1992 Galerie Bruno Bucher, Poitiers
1992 The Infanta of Castile, London
PERFORMANCE, RECORDING, COLLABORATIONS:
Dirty Snow - collaborative live performances with Esther Planas and support from various artists and musicians at Brain Jelly (live art showcase, UCE, Birmingham, 2004), Club for Losers (Gossips, London 2003), City of Libertines (supporting The Libertines at The Rhythm Factory, London, 2003), Club Esther (On the Rocks, London 2003 / 2004); and at Outline, Amsterdam; Galerie Nikki Diana Marquardt, Paris; and at the Clinic, 291 Gallery, Hackney Empire, Skint and Minted (supporting the Libertines at Filthy McNasty's), Old Seager Distillery, Five Years Gallery and 30 Underwood St Gallery , London 1999 -2004
A Beginning - performance / reading with Susan Morris of (ongoing) collaborative textual work, Arti et Amicitiae, Amsterdam, 2003
Losing Control - soundtrack for Esther Planas' video (recorded with Dirty Snow), screened at Museum of Contemporary Art, Ibiza; U.C.E, Birmingham (2003); Kunstmuseum Thun; Kunsthalle, Bergen; Kunsthalle,Wilhemshaven; Het Domein, Sittard; Metronom, Fundacio Rafael Tous D’art Contemporani, Barcelona (2002)
Lightning’s Girl – performance with Dirty Snow of the song by Nancy Sinatra in the film ‘Love in a Cold Climate’ by Michael Curran (funded by the Arts Council, screened at Smart Projects, Amsterdam; NFT, London), 2003
Princess Dream – audio track (recorded with Dirty Snow) on Underwood Audio compilation CDs, released September 2002
DS 4 - Limited 12inch vinyl edition –100 - recorded and produced by Dirty Snow, June 2002
Song Poems - video performance with Dirty Snow in collaboration with Peter Lloyd Lewis and Mark Harris, exhibited as part of the group show ‘Song Poems’, Cohan Leslie and Brown, New York + 2 songs included on CD compilation and catalogue, released 2001
Lost Rabbit – soundtrack for Esther Planas’ video (recorded with Dirty Snow), broadcast on Metropolis, TVE channel, Spain, May 2001
Sweet Snow White – audio track (recorded with Dirty Snow) on Evensong Recordings compilation CD, released February 2001
VISUAL PUBLICATIONS AND PUBLISHED WRITING:
Untitled drawing & ‘A Beginning’ (text in collaboration with Susan Morris), included in Tender Prey, publication accompanying the exhibition at Arti et Amicitiae, Amsterdam 2003
Untitled drawing, included in Volume no. 0, Zing Magazine Publications, New York 2002
‘Edward Dorrian: Contingency and Incident’, article for Filmwaves Magazine no. 18, London 2002
Book introductions for Pocko nos. 0, 1, 2, 3, 4, 7 & 8, Pocko Editions, London 2001-04
Untitled drawings, included in Dark Star nos. 1.2 & 3, published by Esther Planas in association with Five Years, London / Barcelona 1999-2001
Welcome to the Secret Lands and the Secret Worlds (joint publication with Esther Planas and introductory essay by David Lillington), Danielle Arnaud, London 2000
Untitled Sequence no. 1 (solo publication – drawings and text), Five Years, London 1999
Catalogue introduction, Perfume, Danielle Arnaud, London 1999
Untitled text and drawings, included in United in Death, Cambridge Darkroom Publications 1998
REVIEWS / BIBLIOGRAPHY:
Aernoot Hagen & Dirk Jan Jager, Introduction, Do it Yourself - Outline Projecten 2001 / 2002, Stichting Outline 2004
Esther Planas, 'Post - Porno', AB Magazine, October 2004
Arjan Reinders, ‘Erotische kunst, suggestieve seks, Nick Cave en Kylie Mynogue‘, Tubelight 29,
November 2003
Cedar Lewisohn, ‘Crime Scene Investigation’, LAB 04, Autumn / Winter 2002
Pascale Ammar-Khodja, ‘Fata Morgana aux Beaux-Arts’, L’Art vues, Dec 01 / Jan 02
S. Wise, ‘The Many Meanings of Skank’, wburg.com, vol. 1, no. 4, Summer 2001
Holland Cotter, ‘Skank’, New York Times, June 1 2001
Martin Herbert, ‘The Red Room’, Time Out, Nov 29 - Dec 6 2000
Erik Hagoort, ‘Geboduurde eerste klooertje sperma, de Volkskrant, 26 July 2000
David Lillington, ‘Esther Planas - Marc Hulson’, Welcome to the Secret Lands and the Secret Worlds,
Danielle Arnaud 2000
Paul O’Kane, ‘London’, Circa, Autumn 1999
Martin Herbert, ‘Marc Hulson’, Time Out, July 7-14 1999
Paul O’Kane, ‘Interior Interior’, Contemporary Visual Arts, April 1999
Mark Currah, ‘Silent Movies’, Time Out, January 1999
Gilda Williams, ‘What is a Photograph’, Art Monthly, September 1998
Martin Herbert, ‘Playing and Reality’, Time Out, July 1998
Morgan Falconer, ‘Silence makes a moving key to the subconscious’, Highbury and Islington Express,
Naomi Siderfin, Introduction, Occupational Hazard - Critical Writing on Recent British Art,
Black Dog Publishing 1998
Tania Guha, ‘The Infanta of Castile’, Time Out, June 1993
David Lillington, ‘The Infanta of Castile’, Time Out, June 1992
Annelise Zwez, ‘Brit Art’, Artis Magazine, June 1992
Simon Maurer, ‘Pelz und Plastic - Typisch Britisch’, Zurich Tages Anzeiger, Nov 1991
PUBLIC & VISITING LECTURES:
Serpentine Gallery, London: Gallery talks on Takashi Murakami, Richard Artschwager, Brice Marden,
Yayoi Kusama, Bridget Riley 1999-2002
Ecole Superieur d’Art, Perpignan, France: Visiting lecturer (1-week residency), 2001
Camberwell College of Art and Design, London: Visiting lecturer, Fine Art, 2001
Kent Institute of Art and Design: Visiting lecturer, Fine Art, 2001
University of Central England: Visiting lecturer, Fine Art, 2000, 2001
Rogaland School of Art, Stavanger, Norway: Visiting lecturer (3-week residency), 1999
Tower Hamlets College, Visiting lecturer, Digital Imaging in Theory and Practice course, 1997
Staffordshire University: Visiting lecturer, Fine Art, 1991, 1995
Leek College of Further Education and School of Art, Visiting lecturer, 1995
West Cheshire College, Visiting lecturer, Foundation in Art and Design, 1995
TEACHING WORK:
Winchester School of Art: Part-time lecturer, History of Art and Design (Supporting Art Practice module), 2000-2001
Serpentine Gallery, London: Education workshops on Rachel Whiteread, Brice Marden, Felix Gonzalez-Torres, Yayoi Kusama and Bridget Riley, 1999-2001
Anglia University, Cambridge: Part-time lecturer in contextual studies, Department of Graphic Arts,
1997-2000
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